phạm duy
was more pitiful rather than being blamed
phamduy musician info/
(photo: internet)
Musician Phạm Duy was more pitiful rather than being blamed. His floating life though himiliate, human and vicissitudes. He lived irreponsibility and had only one position ambition that is to compose the valuable music.
His spokes was the same as poet Tú Xương (like 'A teacher, a girl, a bitch'). From 50 years ago, no one considered him as a 'precious people'. They loved him because he offered them many immortal songs, and go with them on a long road of their lives together, 'cried laughed with the fate of the country'.
He was never a tool od communism. In 5 years under the anti- French Resistance, he had never wrote a song hailed a leader of communism, which only hailed the heroes martyrs against invasion. When the fox tall poked until he dropped them to come back the city.
He was never a tool of dictatorship. In 25 years of living in national policy, he never made a song of worship leader does. The song 'rural development' are all produced by one author servants rather than by a professional music to caress the loneliness of several million people into exile.
The 'return home' his only inpiry to his personal reputation, there is no sgni-ficant impact to the anti-communist spirit of the masses. There is nobody else
'national reconciliation' with VC [Việt Cộng] because Phạm Duy was repatriated, Reconciliation would never occur, in other words, only when the passive reconciliation communism dissolved completely.
Also, only the force of the masses in the country are capable of dissolving them. Then rolls up too concerned about the strategic 'national reconciliation' of them. It died shortly after birth. Grilled should share a hatred Vc giancing down then rinse in the musician as Phạm Duy, from Cong Phung Khánh Ly, Lệ Thu, Chế Linh etc. There is something 'reluctantly' in the back of them. (as noted above.)
Furthermore, they do noy bring home dollars to help more foreign currency for VC (as some merchants and traveling who enjoy the theater) but also to burn of some their foreign currency. (territorial compensation in dollars.) By sympathetic to them (sympathy does not mean promoting other people return) as long as they just friendly people, just sing for people to hear the songs that we accept and do not mumble, cattle violation to the anti-communist spirit.
The reasons people love musician Phạm Duy's song
1/ He is a musician admired by millions of Vietnamese people from the younger generation to the older generation, from budget-minded to the intellingtsia, from wartime to peacetime, from communism to liberation, from dictatorship to a democratic government, from domestic to overseas.
2/ Sympathies of the masses for his every complex. Many commended. many blame. Many had recently criticized compliment. Many have criticized this commendation. Many people before this dawn compliment Vietnam Communist faction, after half a century of hatred he now bribed him as bait for the guise of 'national reconciliation'.
Liberals, over half a century, ..., now abandoned him because they think he was bribed ennemy.
These demonstrated that (merit- blame, love-hate, bribe- abandonrment) are commonplace. People are not random (but ulterior reasons) atributed to him. He did not deliberately caused. Entrance spokeman clumsy and his indulgent lifestyle plays an important role in their judgment.
3/ But his works, from folk songs, love songs, military 'ca', 'ca' director, pediatric cases, etc had a unique value: bring sleeping supply gamut of ethnic harmony and inspiring lyric of folk song.
4/ Musical poems is a great skill. The media has listed him in every 'witels' of this music. Although popular poem verbatum (as of Huy Thuong) or just grab the poet (as 'Flute Tiantai '[Thiên Thai] of poet Thế Lữ) he also make poetry added value.
5/ Personal like he has a flew blemishes. He lived under the loose sexual plaeasure, despite the consequences (as in Julie Quang and Khánh Ngọc matter) makes disdain and moral opponents exploited.
(photo: internet)
6/ The love of poeple, love the country, love the water of his works are very visible. A false love can not do is make love songs, love 'Hoài Hương', jerichow, ON Central, Mother Gio Linh, Remember, The Wounded, Husband Wife 'Quê', 'Quê' Baby, Return date, Path 'Cái Quan', Mother Vietnam., etc ...
The compliments
(...)
The Deery
These words belittling him blossomed in 2 periods.
1/ The first period from 1950 to 2015
When he left the City of Resistance, VC has criticized him as a reactionary.
Of course he could not refuse to meet communism leaders paved the way for his return, just not worth complaining if he wanted to see some communist leaders were friends with him in the war against France. He is very easygoing and carefree in the meet old friends, jazz or just memories of old jokes, do not talk about politics. Nothing to blame for meetings or Social get such pratices.
There is a remarkable son: he was not a leader of communism adulation and does not speak to anyone violating animal of South Vietnamese regime during his 8 years. (former vice president Nguyễn cao Kỳ have committed this way).
I would like to summarize the altitude of Pham Dụy in a cursory question: when composing is dedicated to enjoy playing it, when they shell make continous speech. Duyên Anh [writer] has narrated that the Phạm Duy, while fralicking with friends, had said in bottle; " Who is stupid like my music. We have been doing in the toilet". Maybe he wrote bad songs in the toilet.
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